Alchemy An Index Of Possibilities Rar
(334mb) Words With The Shaman (Songs From The Treetops) 01 Pt. 1 Ancient Evening 5:14 02 Pt. 2 Incantation 3:28 03 Pt. 3 Awakening 5:16 04 Preparations For A Journey 3:40 05 The Stigma Of Childhood (Kin) 8:28 06 A Brief Conversation Ending In Divorce 3:28 07 Steel Cathedrals 18:52 Xtra (with Ryuichi Sakamoto) 08 Forbidden Colours 4:41 09 Bamboo Houses 5:26 10 Bamboo Music 5:39 (ogg 141mb) xxxxx xxxxx xxxxx xxxxx xxxxx David Sylvian is a brilliant rock & roll guitarist and vocalist. He is also a great electronic minimalist. Sadly, he tries hard to do both together.
Master Of Possibilities
Gone to Earth has moments of brilliant instrumental ambience with deep samples and misplaced vocals. The instrumental virtuosity grabs listeners immediately. Sylvian surrounds himself with some of the greats - Bill Nelson, Robert Fripp, and Mel Collins among them. The sound is dynamic and gentle at the same time. There is an ambient version of Gone to Earth, which is a better disc and right here as well, remastered in 2003.
Singer/songwriter 's career spans a long and enigmatic scene of experimental rock and emotional restylings. Not one to fully absorb the conventional ways of a certain circuit, is a realist musician. He is ambitious in molding his own catharses within layers of woodwinds, horns, and homegrown synth beats, and 1999's was only a small cue to 's forthcoming work. The new millennium brought the release of the double-disc, a reflection of 's previously unreleased older material.
Realm Of Possibilities
Sonically gorgeous with vocals comparable to, is a vastly expressive record of 29 tracks lost in the vaults of remixes, time, and creative changes; it is certainly a moving package of lush elevations and underrated wordplay. The two-disc set hums with eclectic instrumental constructions and tinges of Middle Eastern material, especially on tracks such as 'Ride.' 'Pop Song' is more attractive with its abstract guitar riffs and whimsical synth loops, and 'Some Kind of Fool,' a long-lost song intended to be on 1980's, is electronically driven. It's naturally abrasive in lyrical poetry, and 's atmospheric nature to float over the initial song composition is classic. 'Jean the Birdman' echoes the sultriness of, but is shiftless at the same time with his funkadelic mood. The textural differences among the cuts make particularly inviting, reflecting the wholehearted desire that continues to make a fresh contributor. He is surprising, professional, and unattached to what's common.
Village Of Possibilities
Is undoubtedly a firm recognition of 's musical wizardry.